This braid uses the same 16-tama hira nami braid that I used for the last braid in the “side to side” series, but the colors were set up in a “quartered” attern instead.
That is, if most times you see this braid set up in a “top and bottom” pattern of “KKKK KKKK GGGG GGGG” , and the “side to side” pattern is “KKKK GGGG GGGG KKKK” , then this pattern is “KKKK GGGG KKKK GGGG” . Next, I am doing the same braid in “KGKG KGKG KGKG KGKG” which comes out much more chaotic-looking than you would think.
The scroll doesn’t show them, but most hitatare I have seen are embellished with little knots called kotsuyu . I’ve made these in the past for my green hitatare and for Sir Morgen’s daimon hitatare. I want to get some pictures of me wearing the daimon before I add braids, so that it matches the scroll, but I do eventually want to add braids. To that end, I spent a few days making braids.
All of the braids are made from sixteen ends on black laceweight silk yarn per tama, and are simple 8-tama round edo yatsu braids. The pile at the bottom is 9 15-inch braids to make the kotsuyu knots, 5 for the hitatare and 4 for the hakama. The 2 braids with looped ends are for the munahimo chest ties at the front of the hitatare. The two very small knots are for the vestigal sodetsuyu sleeve knots at the bottom of the sleeve ends.
Normally, I try have a half dozen black and gold medallion cords braided by the time our local Agincourt event rolls around in October. This year, with everything else that was going on, I just managed to complete the sixth braid.
As usual, these are all about a yard long and all made from lace-weight silk yarn.