bookmark_borderBlue Stripe Hitatare Sugata

I completed this project back in early May of this year. I wore it to War Practice and to court at Pennsic, but I am only just now getting around to documenting it. Sorry I didn’t get any pictures of me actually wearing this outfit. Anyway, I wanted a less-formal and lighter-weight hitatare than my others. This one is made from a mid-weight linen, instead of the heavy-weight linen and hemp from which the others are constructed. I painted some white stripes on the fabric so that it wouldn’t look like a bedsheet. Here is the view from the front:

The assembled hitatare sugata

From the back, you can see that there are also stripes in the back, and that the hakama do not have a koshi-ita panel on the back. Some hitatare of late period had these panels, but since I do not tend to add them, this garment does not.

The hitatare sugata from the back

The sugata part of this post’s title of course means basically “outfit”. The hitatare itself is the upper-body over-garment. You have to make the body panels quite long if you don’t want the tails pulling up out of the hakama waistband.

The hitatare alone

Here is a close-up of the painted stripes. I have stopped using the “Jacquard Neopaque” acrylic fabric paint for most things, and I have switched over to “Jacquard Textile Color” fabric paint. This does not have the same vinyl-esque feel as the Neopaque, but it works well and still resists bleeding into the fibers. I applied the paint after the garments were constructed, so the stripes would match across the seams.

The stripes

At the sleeve ends, the sleeve cords run through “belt loop” style attachments. There’s a hitatare in the Kure red book that uses these attachments, and I have found them to be durable.

A hitatare sleeve end
“Lower-Class Samurai” on page 29 of the Kure red book

Here’s a close-up of one at the bottom of a sleeve. You can clearly see that I have not bothered to braid my own cords yet for this outfit. It uses store-bought cotton braid. The belt loops are made by starting with a rectangle of fabric that is twice as long and four times as wide as the eventual loop. The ends of the rectangle get folded in to the center, followed by the sides getting folded in to the center. The loop is then folded in half along the length to make a short 4-layer strap, and stitched along the long edge to hold it closed. Stitching it on to the garment seals the ends of the loop.

Detail of the hitatare sleeve

Similar loops are at the cuff end of each leg. I only put loops on the outsides of the pleats, so they hold the pleats in place. I’m not sure if this is historical or if the exemplar just has narrower legs.

The hakama cuffs

I also made a kataginu that matches the hakama so that I don’t have to roast if it is very hot. A kataginu is basically a sleeveless hitatare.

The matching kataginu

So there, now I have four hitatare sugata. This one went through the post-Pennsic laundry without falling apart, so I consider it to be a success.

bookmark_borderDaimon Hitatare Sugata

A while back (more than a year ago, probably) I was browsing the online collections of the Metropolitan Museum of art, and I found a hanging scroll called “A Nenbutsu Gathering at Ichiya, Kyoto“, which is an excerpt from the “Illustrated Biography of the Monk Ippen and His Disciple Ta’a”.

Now, I am not a big fan of the Pure Land Buddhism favored by Ippen, but I was instantly drawn to a figure in the middle foreground. Not only is he wearing a bright-colored hitatare, it’s a daimon hitatare decorated with a triple-hexagon motif (my registered badge is hexagonal), and I look kind of like him with a beard and narrow stature.

This has been the reason for me buying bright orange linen at Pennsic, me learning to carve wooden printing blocks, and me spending hours practicing printing and actually printing yards and yards of fabric.

Behold, my daimon hitatare:

Hitatare top and matching hakama pants, front
Hitatare top and matching hakama pants, back

The outfit still needs some finishing touches, but I am so happy with the way main construction went on this garment that I thought I would post some photos. I still need to make a samurai eboshi hat, and a fan if I want to complete my recreation of this guy from the painting. I am torn about adding the kotsuyu and sodetsuyu knots to the garment. I know they should be there to make a proper daimon hitatare, but they are not visible in the painting.

bookmark_borderSCA Portrait

Here’s a picture of me from our Baronial 12th Night event wearing a Kataginu Kamishimo of mostly new-for-2020 garb.

Kataginu Kamishimo in blue linen

I’m wearing a kataginu vest and hakama pants in matching blue linen, printed cotton kosode, white linen kosode, white linen kyahan shin covers, black linen tate eboshi hat, and purchased jika tabi shoes. Sagemono belt-hangers are a belt favor of the three baronial orders to which I have been inducted (Order of Copernicus, Order of the Blue/Silver Comet, Order of the Gold Comet) and a kinchaku made from the same black silk brocade as my elevation garb which has been machine embroidered with a Laurel wreath.

bookmark_borderKataginu Kamishimo in Blue Linen

It has been a while (like, more than a year) since I made a basic medieval Japanese men’s garb outfit for myself, and my old stuff has started to look a little worn. So, I decided to make these hakama pants and kataginu vest out of some nice dark blue linen.

kataginu kamishimo linen blue
Hakama and Kataginu in Blue Linen

When the tops and bottom of an outfit are made from the same fabric, it is referred to as a kamishimo.

Sorry this photo just shows them hanging together on a hanger. I’ll try to wear them sometime soon and get a better photo.